Domino, begin recording:
Hey all. We wanted to fill you in on a few things happening in the world of Sanditon:
“Welcome To Sanditon” Reel:
You may have seen the short LBD Reel that we put together last year. It’s become a very useful tool for giving an overview of what the show was all about to people who didn’t see it.
So we went ahead and made something similar for Welcome To Sanditon.
Did you know that over a year later, there are hundreds of active Sanditon RP accounts? Now, some of the RPers have put together a wiki to document who’s who in town these days. Check it out, and see what’s been going on.
Thanks to everybody who backed the Storium Kickstarter. We’re dotting the Tees and crossing the Eyes on that, after which we’ll begin putting together the materials that will go into the Storium world. No concrete timelines as of yet, but we’re hoping to get it done in time for a September release. If that changes, we’ll let you know.
SANDITON, CA – Spend a summer by the sea in the oddball beach town of Sanditon, California. Our citizens are friendly, our business opportunities plentiful, and our grounding in reality… variable. Whether you play a resident or someone passing through, Sanditon has plenty of romance, art and intrigue for everyone. Based on Jane Austen’s final unfinished novel Sanditon, and the Pemberley Digital transmedia series Welcome To Sanditon. Adapted by co-creators and The Lizzie Bennet Diaries veterans Margaret Dunlap (The Middleman, Eureka) and Jay Bushman (Airship Dracula, Dirty Work).
Yup, Sanditon is back! We’re the latest stretch goal announced for the hugely successful Storium kickstarter.
The campaign is in its final day, so you only have a short time to help reach the unlock goal. WWJD*?
*What Would Jawsica Do?
Make your life better and remember to like and reblog.
Annie’s dress – http://bit.ly/EA_d1
Congrats to the whole PD family on the launch!
Pemberley Digital is a real company. It won an Emmy.
It’s so close to being in-world, my brain wants to explode.
Serious meta going on here.
If Pemberley Digital has house words like in Game of Thrones, maybe they should be “OURS IS THE META”
By request, here’s a rebloggable version of this answer:
aeternamente asked: What are your thoughts on Gigi using the company channel to talk about personal/private issues? How is that similar to/different from Lizzie and Lydia talking about personal/private issues on their vlogs?
I’m not going to comment or speculate on that- it’s up to you guys to decide how you feel about it. But what I will do is give you a little bit of backstory on how the Gigi spinoff came to be.
As some of you may know, up until recently I worked for Fourth Wall Studios, a transmedia studio creating original online content. At Fourth Wall, I helped to create the series Dirty Work, which won an Emmy last year for original interactive content. I also created and wrote the pilot for a show called Airship Dracula, an animated steampunk reimagining of a section of Stoker’s novel, voiced by Alan Tudyk and Tammin Sursok.
Both of these shows were built on a proprietary platform called RIDES, that synchronized web video with your mobile phone through calls, email and text messages. Later on, there was a companion app that handled synced content in a single place, so it wasn’t at the mercy of the phone networks or text services and offered us greater control of the experience.
When I first came on board the LBD, I brought Bernie in to meet with Fourth Wall to see if there was a way to work together. (And also, honestly, because I had been already pitching a P&P adaptation internally and it wasn’t getting much traction.) They passed on it, but more importantly I got their blessing to join the project outside of work.
Cut to a few months later, and the show is now, y’know, THE SHOW. And we we’re looking ahead to the Lydia downfall arc and thinking of some of the adaptation issues inherent in novel vs. dramatic story structures. It seemed that we needed to see at least something of what Darcy was up to, rather than just having him completely offscreen for the whole time and then finding out later. Something that we’re constantly wrestling with in this adaptation is the agency of the main characters. We want things to turn out well, and we want to stay true to the source material, but we also want our characters to be modern and believable. And let’s face it, all the problems in Pride and Prejudice are solved by really rich men fixing things with their money. So finding a way to make all of these conflicting requirements work is a continuing challenge. Sometimes it seems impossible. Which is why I’ve started referring to this story problem as the “Patriarchy Maru.” You’ll let us know if we end up finding a way to make it work.
Anyway, I brought Bernie into Fourth Wall again, and this time we pitched them on a Gigi spinoff that – rather than YouTube – would be seen on the RIDES platform. It would feature Gigi vlogging, and then you would receive phone calls from Darcy and text messages from Fitz, etc. We were pretty close to nailing that down when Fourth Wall hit a rocky patch and ended up halting new production.
So the idea of a Gigi-centric Ride was dead. But out of the ashes came the Domino concept.