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S-Town demands a unique buy-in from its listeners, also not unlike a Netflix series; the first two episodes are meandering, doing less murder-investigating than wandering around rural Bibb County, introducing us to its characters and unspooling long rants from our central character, McLemore. It’s only at the end of the second episode that the one major twist arrives—reframing the rest of the series and marking a line of demarcation for those who are considering S-Town and those who are gobbling up everything they can learn about it.

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hellotailor:

[source]

astercrash:

Did anyone notice how quickly the internet turned into a
Lovecraftian horror scenario?

Like we’ve got this dimension right next to ours, that
extends across the entire planet, and it is just brimming with nightmares. We
have spambots, viruses, ransomware, this endless legion of malevolent entities
that are blindly probing us for weaknesses, seeking only to corrupt, to thieve,
to destroy.

Add onto that the corrupted ones themselves, humans who’ve
abandoned morality and given up faces to hunt other people, jeering them,
lashing out, seeing how easy it is to kill something you can’t touch or see or
smell. They’ll corrupt anything they think could be a vessel for their message
and they’ll jabber madly at any who question them. Their chittering haunts
every corner of the internet. They are not unlike the spambots in some ways.

Add on top of that the arcane magisters, who are forever
working at the cracks between our world and the world we made. Some of them do
it for fun, some of them do it for wealth, others do it for the power of
nations unwise enough to trust them. There are mages who work to defend against
this particular evil, but they are mad prophets, and their advice is almost
never heeded, even by those who keep them as protection.

All people know several spells to use the internet. Facebook
asks you for the magic words to log in, so does your email, so does your
twitter and on and on. The spells are words or a gesture with the hand, some
use the colour of your eyes, or the shape of your finger. Our chief of security
joked about requiring users to give a drop of blood before they could log in.
Many do not understand the humour of mages.

The cracks between the two are breaking. IP cameras filled
our world with eyes and the magisters learned how to open almost all of them.
We all carry magic slabs of glass that if you hold it up to your ear can sing to
you with a loved one’s voice, but if you look at it with your eyes, can show
you a corrupted human with bleeding orange skin scream the profane with a
thousand voices. The other day I saw someone hack a moving vehicle. At one
point they made it stop. At another they made it so it couldn’t stop. Some of our best and brightest are going to create
an army of four winged bats hovering throughout every city and we are going to
connect them directly to the dimension where the nightmares live.

I’m not saying it’s all bad, but I am saying Cthulhu lies
deathless dreaming in this web we built him and he is waking up.

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On Trainspotting 2

nslayton:

jaybushman:

nslayton:

I saw the Trainspotting sequel today. By the time the credits rolled, I had tears streaming down my face. They kept going off and on for the next hour. That film…that film is clever, well-made, innovative, funny, and an emotional gut punch. It hit me in ways I wasn’t expecting. I’m 26, technically a Gen Y-er, or as we’re unfortunately called, millennials. I’ve always felt more connection with Gen X, and even though I’m 15-20 years younger than the target audience here, this hit me so hard.

Every screw up I’ve had. Every missed opportunity. Every cherished memory, every loss, this film dredged them up. It made me want to be better, it made me want to drink myself to an early grave. It’s the film of 2017 and I need to see it again.

Choose life.

Now you have to start mainlining the soundtrack. I’ve had it on repeat for two weeks straight. 

Oh, I’ve spent the last six hours mainlining it. I’m just trying to find that hip-hop/funk track that played in the last five minutes, before “Silk” and “Lust for Life.”

it helps to be heating streaky bacon in a trouser press. 

but yeah, there’s gonna need to release a second volume for the soundtrack. I think I counted at least two other Underworld tracks/remixes in the movie that aren’t on the soundtrack. 

On Trainspotting 2

nslayton:

I saw the Trainspotting sequel today. By the time the credits rolled, I had tears streaming down my face. They kept going off and on for the next hour. That film…that film is clever, well-made, innovative, funny, and an emotional gut punch. It hit me in ways I wasn’t expecting. I’m 26, technically a Gen Y-er, or as we’re unfortunately called, millennials. I’ve always felt more connection with Gen X, and even though I’m 15-20 years younger than the target audience here, this hit me so hard.

Every screw up I’ve had. Every missed opportunity. Every cherished memory, every loss, this film dredged them up. It made me want to be better, it made me want to drink myself to an early grave. It’s the film of 2017 and I need to see it again.

Choose life.

Now you have to start mainlining the soundtrack. I’ve had it on repeat for two weeks straight. 

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Flushing Transit Authority

Flushing Transit Authority