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I like the way the soundscape blurred the line between score and sound effects. We’ve been doing that on these Fincher films, working with Ren Klyce, who does all the sound design and mixing: “Hey, what if this piece morphed into that floor cleaner that you have outside? Tune us to fit that.” Just trying to make what we’re doing truly become in service to the picture and disappear. David is always saying, “I don’t want to notice the music come in.”

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